Jason wu spring 2017 runway


In May of next year, Anna Sui will have a retrospective of her illustrious career at London’s Fashion & Textile Museum; a forthcoming companion book from Abrams is in the works, too. Those events (and, likely, her recent reissue capsule with Opening Ceremony) have set the designer on a deep dive through her iconic archive. This season, rather than simply sending out a lineup full of her own codes, Sui found herself mulling over her identity as an American designer with a lineup she dubbed Miss American Pie.

It was, in effect, a romp through many of the aesthetic highs of our country—maybe a particularly noble effort on the eve of a nail-biting election cycle; a little well-placed optimism. A viewing of the American Folk Art Museum’s recent “Mystery and Benevolence” offered a look back at the rich, even cryptic iconography of the Masons and Odd Fellows societies, which Sui here commingled, to seamless effect, with visuals from sundry other eras. Those shadowy fraternities boasted some fittingly enigmatic motifs—eyes, hands, hearts, and stars; Sui whipped them into a hardy jacquard inspired by Pennsylvania Dutch coverlets—gorgeous in a dark-wash denim jacket with lace sleeves.

Elsewhere were all manner of quintessentially American things, invoking lush, stylistic time travel through the Old West to ’50s sock hops and beyond. There were sweet, small-town prom queen A-line frocks, lacy, puff-sleeved prairie dresses, a square dancing set edged in kitschy, metallic bric-a-brac—even cheerleaders kitted out all in cherry red and electric blue (another varsity-inflected hit of tonight’s show was a fringed, letterman-Western jacket hybrid). Souvenir handkerchief prints were a particular standout; pick from a juicy Florida number, or a high Deco New York, New York version. Bella Hadid looked like a particularly vampy Loretta Lynn sporting an afghan print gown and Western fringed leather capelet, beehive coif towering high. Sui even summoned the heavy-lidded, peroxide blond spirit of Jean Harlow with a ’30s-inflected boudoir dressing story. The designer’s billowy peignoirs came frothy with marabou trim and flecks of Lurex.


Источник: http://www.vogue.com/fashion-shows/spring-2017-ready-to-wear/anna-sui


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Jason wu spring 2017 runway

[Part 1 Analyzing Your Looks 1.



Jason wu spring 2017 runway

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Jason wu spring 2017 runway

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Jason wu spring 2017 runway

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Jason wu spring 2017 runway

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Jason wu spring 2017 runway

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Jason wu spring 2017 runway

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Jason wu spring 2017 runway

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Jason wu spring 2017 runway

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Jason wu spring 2017 runway

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Jason wu spring 2017 runway

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